Thursday, December 31, 2015

Joy

     It seems odd to walk out of a theater feeling such joy from the movie just viewed, only to later read online poor reviews of that same movie.

     I guess the critics are right. With mega-chaotic family dysfunction; quarreling, love-sick and uber-quirky Seniors; a creatively weak attempt to meaningfully weave into the first 30 minutes TV clips of Susan Lucci soap opera scenes; some of the facts appearing fantasy-like and actually are (1,000 first-run production mops, not 20,000); and, maybe even the last 20 minutes of the movie should have instead been spliced out and included in a quick synopsis in the ending credits.

     For some reason (maybe mop Inventor Mangano's persistence and continued partnership with her hero-ex) I still liked, and must have needed, the struggling and basically real-life underdog story, simply titled: Joy.



Wednesday, July 15, 2015

Woman Untold: A Response to "Woman in Gold"

Woman Untold & Finding My Found

There is no greater agony than bearing an untold story inside of you.”  Maya Angelou

     If life is a race, then my Mom is the victor. She long-ago sprinted her way across the Finish Line to Heaven. If, however, life is not a race, but rather a boxing match, I'm the one still standing. I remain and know her as the "Woman Untold." The quiet one, with a painful story that she never told me, of being prematurely and forever abandoned by her father. He chose to disappear, to run away, without saying goodbye. To create another life and another family.

     I left Mom, for college and marriage, and barely knew her then. When I was a mere 35 years old, she unexpectedly and prematurely departed this world. She did not seem to possess the die-hard spirit. A spirit which should have developed from that which we sometimes take for granted... the rich memory of a father/daughter relationship. That relationship was instead nil and even negative. I sighed and cried a motherless river of tears.

     In an indirect and unexpected way, "Woman in Gold" shares a similar untold story. When Hitler overtook countries and killed Jewish people, he left daughters orphaned. Their roots were obliterated, with heirlooms pilfered as well as identities. He committed more than murder. Horrendous, generational travesties occurred. Sons were left motherless, and daughters were left fatherless.

     "Woman in Gold" portrays the heart ache of Maria Altmann, who yearns and strives for her rightful treasures. Her true motivation speaks volumes, through soulful stares and teary eyes. It is heritage connection. Happily-ever-after remains on hold. A tension still exists. An injustice that begs righting. Like endearing possessions of close family members. Treasures and intangibles that should have been rightfully inherited long-ago were stolen. And maybe now, wrongfully, strangers proudly display those soulful artifacts for others to admire.

    While others go about their daily business doing whatever they do, an ache remains in the heart. Pieces of the soul were stuffed and snuffed. The pieces I talk about are belonging, and being cherished, and stifled heritage and family stories. Personalities and identity. Anchoring that a mother provides. And Maria feels the understandable tension of guilt. She escaped as Germans occupied Austria. She left her parents, in their most vulnerable hours. But rather than wallowing in guilt, she possesses a die-hard spirit, maybe from strengthening father memories, as well as the help of an advocate. To fight to redeem her story.


     My heart yearns, strives, and feels guilt. My generational umbilical cord was suddenly and abortively cut. Could I have done something to prevent it? I piece together my family conundrum, like James Bond in a Sherlock Holmes mystery. At times the attempts resemble final phase three of a 700-piece, complicated Lego project. After careful and tedious hours spent constructing, it is situated and ready to neatly snap together, to its two other larger phases. To create one huge shape. An intriguing 3-D structure of the fragile Wright Brothers 1903 aircraft.

     The many arms of an octopus are needed during the final, delicate, meta-locking moment. Two arms and two hands are too few. Lego blocks dysfunction-ally shift and fly across the room. I respond hopelessly. In total resignation I add to the mess by intentionally heaving that which remains in my hands. Like fragments of heritage, scattered. At one point in the movie, Maria felt the same frustration and hopelessness.

     "Woman Untold" is now my identity. I am my Mother, and in 3 years my age will reach that which she never attained. I am sad, for the 25+ years we've missed being together, to maybe better understand her fatherless side. Similar to father- and mother- less Maria Altmann, a small portion of my soul was locked up at the time of my Mom's death, years ago, and it yearns for vitality through the golden years. To embrace a resemblance to genuine identity and wholeness. Like my persistent 3-D Lego structure attempts, I will try again. Finding grace in God, which is more precious than gold.

     Every Golden Years spirit can strive to "find my found." To identify his or her own unique, untold story. And if the story is weighty, then work through it to move on to the most critical and positive phase. To tweak it to a redeeming story. Which is something Maria Altmann with the help of her advocate fought to do. Sadly, it is something my Mom never did. So I feel the need to press on, prayerfully, for her sake and for mine.

     Life is like a contact sport. It can hurt, and we can break. But the ache of the story need not be permanent. Life tweaking is possible with the help of an advocate. My Advocate-of-Choice is The Messiah.

“But what about you?” he [Jesus] asked. “Who do you say I am?”
Simon Peter answered,
"You are the Messiah, the Son of the living God.” 
[Peter prophetically identified and confirmed Jesus' ultimate story: To be crucified, AND TO REDEEM.]
(Matthew 16:15-16)





Tuesday, April 28, 2015

Snow White & The Huntsman

     A weak movie overall, but this take-away quote during Snow's frightening experience in the Dark Forest was strong.



Monday, April 27, 2015

Cinderella

     Cult-like Cinder-forces are emerging and multiplying. I joined a beautiful grandma-friend as well as Cinderella-attired ones of ALL ages at the movies. 

     It was so fun to hear little voices during poignant times. In the attic scene, wicked, and bullying stepmother attempts to grab Cinderella to keep her from trying on the glass slipper...the ticket to her freedom and purpose. One "courageous and kind" little voice in the audience, caught up in the heat of the moment, says, "Don't grab her!" Despite cartoon-claiming reviews, I should have brought Kleenex for two parts of the movie. 

     A kindred take-away from the movie can be found in the cruel Stepsisters' bullying. Being bullied is sometimes very real, and it very penetrates the soul. Other times (as in complicated grown-up family situations, for example) it might be somewhat re-created with sensitive buttons being pushed, re-surfacing from childhood insecurities. Nonetheless, the feelings are real. Rather than unproductive acting out, hold on to the steady and positive ANCHOR within. Strive for the unnatural (it is not easy)...a/k/a the difficult-to-muster courageous.and.kind-factor.

     A hearty thumbs-up to the new Cinderella, especially regarding the bullying aspect.


Still Alice

     So, the title, "Still Alice." Does it mean that Alice is still Alice, or does Alice become still... or inactive? Maybe it is both. No way did I want to delve into this solemn movie alone, but glad I experienced it with a friend.

     "Still Alice" is an insightful look into the quicksand-like grip of Alzheimer's, or (as Glenn Campbell calls it) "Part-timers". I felt improper a time or two, laughing during serious, close-to-home, re-enactments. Sometimes laughter is the healthful way to get through sober times, as we learned with a close family member. For instance, how could proper Professor Alice ever have imagined her down-the-road, Still Alice? The Still Alice who would fumble when following a few simple yet chilling video-taped instructions?

     Julianne Moore's portrayal, combined with interesting filming techniques, present the unforgettable essence of "Part-timers." With its agitations; its quietude; and the take-away questions and paranoia that even I dodge when random forgetfulness hits. Alice, stilled, is still lovable and lovely Alice.


The Bully & Denial

    This is Part II of a reality show's clip that demonstrates conflict gone wrong, uncalled for personal verbal attack, and clueless denial and justification. Brings me to sad tears for the victim.